My Favourite Books of 2016 – Part Two

Hey everyone, 🙂 I’m back with my second ‘Favourites of 2016’ post, and in this post I’ll be telling you about books from Alex Marshall, John Burnham Schwartz, Justin Cronin, Christopher Golden and Suzanne Van Rooyen.

A Crown for Cold Silver by Alex Marshall

This novel, which kicks off what promises to be a rollicking, ass-kicking trilogy, follows a mayor’s wife on her quest for revenge – obviously, she’s much more than initially revealed. 🙂 The novel is by turns incredibly funny, brutal, thoughtful and inventive, with excellent world building and stand-out characters; multiple points of view allow the reader to gain a wide-screen (if I can use that description, which I’ve just done…) understanding of the various conflicts and story lines, while also giving us the gritty, ugly, beautiful detail we Fantasy readers crave. There’s plenty of inventive and interesting magic, battles and skirmishes (skillfully written, brutal and entertaining), and intrigue a-plenty. One also gets the sense that the world Alex has created is absolutely filled with stories we only glimpse, which also serves to make the world live and flex and breathe more deeply. Undeniably, though, the characters of this novel are the stars – Villains without being the quintessential bad guys. 🙂 Highly recommended!

If you’re not aware, Alex Marshall is, in reality, Jesse Bullington. 🙂 Order your copies here.

Next up, Reservation Road by John Burnham Schwartz:

I’m not a fan of literary novels – a term, I have to add, which just doesn’t make sense to me, and smacks of incredible elitism. That being said, when I read something which falls into that bullshit category (which doesn’t happen often), the novel has to be accessible, and by that, I mean that I don’t want to feel as if I should be sipping a too-expensive wine while sitting in a too-expensive chair in my ‘den’. Reservation Road is a novel anyone can read. You don’t have to be part of some inaccessible circle of award-chasers to appreciate this novel. And yes, I watched the movie, years ago, but this novel… I completely forgot about the movie while reading it, and the movie was good. The novel is heart-breakingly sublime. Absolutely unflinching, incredibly emotional. It hits hard, folks – as it should. And I don’t have kids; folks who do have kids and read this might not be able to finish it, but I urge you to stick with it. Order your copies here.

Next up, Justin Cronin‘s ‘The City of Mirrors‘:

The Passage absolutely rocked me back on my heels. It is, to date, the only novel that had made me cry like a baby within the first 30 or so pages, due to Justin’s absolutely incredible prose and ability to evoke emotions. The Twelve continued the epic (and this trilogy truly is epic), ending with an incredible climax, and The City of Mirrors ends it all beautifully. What sets this trilogy apart from most post-apocalyptic Horror sagas is the sheer beauty and strength of the emotional journey the reader embarks on – as with Robert Kirkman’s The Walking Dead graphic novels, the focus is on the characters; their dreams, their heart aches, their losses and triumphs and decisions, and how who they are and what they do echo down through the years and decades. Yes, Justin has created a world which fell to a terrible, brutal plague, but this world is as filled with beauty and love as it is with terror and grief. And I’ve never truly, deeply sympathised with the ‘bad guy’, but here, I had no choice. Stephen King said that the trilogy “will stand as one of the great achievements in American fantasy fiction.”, and I completely agree. It’s a lyrical, intense, intelligent, brutal and beautiful exploration of relationships, terror, the collapse of society and the stubbornness of true survival. Massively recommended!

Next up, Ararat by Christopher Golden:

I’m a big Horror fan, and I’m also a big fan of novels that tread different genres. I enjoy it when writers are ambitious and take chances, and where they create expectations and proceed to fulfill those expectations in ways the reader (who is also a writer, in this case) could never predict. Ararat is one of those novels. On the face of it, the novel is a story about one of the biggest finds in Biblical and proper, scientific Archeology, to what lengths the characters go to cement their place in history, and what, inevitably, goes wrong. And I don’t mean ‘inevitable’ as one of those ‘people are digging where they shouldn’t and get into shit because of it’ tropes; I mean ‘inevitable’ in the sense that things go wrong, whether between people (relationship-wise), colleagues (who disagree and have varying levels of education and study), or representatives of governments (and the complications involved when these get-togethers are further hampered by religious constraints). Yes, there’s a helluva lot that does go wrong in this novel (and, in effect, goes exactly right), but Christopher doesn’t push for disaster simply to pile up the odds against the characters – there’s reason and sense behind what happens, and varying degrees and levels of disaster, too – emotional, professional, physical, etc. Cause and effect, for sure, but injected with a healthy dose of how the myriad characters would truly react (Humans make dumb decisions for very good reasons, and the opposite also holds true). Christopher also really enjoys tropes, man – in the ‘know the rules and break them’ sense, because what I expected and predicted didn’t happen, but what does is so much better. There’s plenty of menace in this book, coupled with a slowly-creeping sense of ‘oh, shit-shit-shit’, and I’m pretty sure readers will enjoy the hell out of it. Expect to be surprised, expect to feel the cold and experience the claustrophobia and terror, and expect this book to sit in your head for a good long while. Excellent stuff! Pre-order your copies here.

Next up, ‘I Heart Robot‘ by Suzanne Van Rooyen:

I don’t think I ever read a novel quite like this before. I was expecting the quintessential and stereotypical forbidden romance, and instead, what I read was one of the best explorations of humanity (in it’s various forms) I’ve ever encountered. If you want a love story, it’s here – and it’s sweet and dangerous, fraught with mistakes and realizations, constantly tested and evolving… In other words, real. If you want an epic confrontation between humanity and what humanity creates, it’s here – but it’s not Michael Bay-here; it’s Children of Men-here. It’s subtle and powerful and far-reaching, the kind of unfolding clash which really makes you think about what it means to be human, to have feelings and an identity, to seek connection. Suzanne explores the politics behind this clash, the philosophies driving the players, the varying effects of the technology… There’s so much going on in this novel, so much that it deals with, that you’ll probably be re-reading it or, better yet, discussing it in your group after everyone’s read it. And what also helps is Suzanne’s understated, almost invisible prose – damned well written. I’m extremely jealous. Read it.


That’s it for now – next week I’ll have some more of my favourites for you. 🙂 Until then,




Let’s Talk About: Exposure vs What You’re Entitled To

The dreaded ‘E’-word…

The vast majority of writers write for free. Read that again. For free. Am I talking crap? Nope. Because when we sit down to write a short story, or a novella, or a novel, most of us aren’t being paid to do it. What’s truly incredible about writing is that most of us give up time in which we could be earning money to spend time doing something we might not be paid for. Ever. I’ve got a whole bunch of short stories, sitting on my hard drive, which I’ll probably never be paid for, because they’re crap. Does that mean that the time spent writing them was wasted time? Nope. Does that mean that they are valuable, in and of themselves? Of course – but not in the monetary sense.

For instance, an utter noob has to begin somewhere, and while you might look back on your earliest attempts at writing and scream in horror, don’t. Comparison is an incredible teacher, folks – so hang onto those stories, even if you’re probably not going to re-write or re-visit them, because their value is incredible.

Are those stories good enough to earn you some money? Probably not. Come on, be honest. Being able to write a story (however short or long) doesn’t equate to being able to write a story that folks will be willing to pay for. I started out submitting to venues that didn’t pay a cent, because I wanted to get my work out there. I wanted my work to be seen and read. I wanted folks to know that I wasn’t just talking about a dream, but was actively pursuing the dream. And I don’t for a second regret not getting paid for those early stories, because they simply weren’t good enough.

It is, unfortunately, a realization many writers seemed to have utterly bypassed. We simply don’t start out as good writers. We start as terrible writers, and we learn. In most cases, who earns the money for teaching? The teacher. Children don’t get paid to go to school – so why should we get paid to learn how to write? Or to teach ourselves how to write?

Before you begin frothing and spitting, let me continue. 🙂

After my first couple of stories were published, unpaid (and here I focus on the monetary aspect; being given a free ebook is payment in and of itself, when you’re a noob), I began looking for venues which would pay me for a publication-accepted story. I didn’t just submit and then froth and rage when if a tale was accepted and I didn’t get money for it. Sounds stupid, right? I mean, who would do that? Submit to a venue expecting payment, without checking to see if the venue paid?

Well, I would be really surprised if this didn’t happen. After all, many, many writers can’t even follow submission guidelines, so it stands to reason that they’ll expect payment without checking… 🙂

Anyway, the point I’m trying to make is this: you begin writing for free -not only for exposure, but to learn– and you gradually build up to being a writer worth being paid. That makes sense, right?

Of course it does. 🙂

So, what am I saying with this post? It’s simple, really – exposure has its place, and its uses.

BUT… (there’s always a big but)

Don’t forget what ‘exposure’ means – or what it should mean. Today’s writing landscape is incredibly, continuously cut-throat. And on many different levels. New writers are constantly trying to break into the industry, whether by querying agents, posting to wattpad (which also has its uses), self-publishing, submitting to anthologies, etc. That means that your game has to be utterly exceptional if you want to land the big deal and, let’s face it, your work isn’t. Your work has the ability to become exceptional, but no matter how many of your family or friends tell you it is, it isn’t.

The only way to get outside opinions of your work is by getting your work out there, and in the beginning, that usually means not being paid at all. Exposure. Unfortunately, though, and in most cases, that ‘exposure’ isn’t useful, is it? You’re not getting anything out of it, not even mentions in reviews (if the work gets reviewed, that is…). So, how do you go about getting ‘exposure’ while also upgrading your writing skills?

Join writer’s groups and communities where people read and critique each others work, for one; basically everyone in such a group is looking to improve, and since you’ll be ‘exposing’ your work to a wider audience and learning from their critiques and stories, that’s the kind of exposure you want. Not monetary exposure, but valuable exposure. There are plenty such groups on Facebook, and even Twitter has a groups going. The two big things about these kinds of groups are reciprocation and respect, so don’t join up thinking that you’ll get critiques of your work if you’re not willing or able to critique the work of others.

That kind of ‘exposure’ is what you should be looking for. 🙂

Getting exposure by having stories published by venues which don’t pay can also be a useful thing, though. Hear me out! Yes, you didn’t receive a cent and you signed an exclusive contract but (there’s that pesky thing again) you’re now on that specific editor’s radar. Being on an editor’s radar is extremely valuable, folks. Now, I’m not saying, ‘Keep on submitting to that editor / venue, and make peace with not being paid for your work,’ – what I’m getting at is that you should keep in mind that one editor, at least, accepted your work, remember that editor, and move on. After a while, you might see that the editor is in charge of a paying gig, and you might have something suitable to submit, and hey, if your tale is accepted, and you get paid for it, remember what led you to that sale: exposure.

Now, if you continue to submit your stories to venues which don’t offer payment, and your writing career stalls, that’s no-one’s fault but your own. If you want to get paid for your work, submit your work to venues which can pay, BUT (what an evil word, eh?) keep in mind that your work needs to constantly improve. No-one writes to the best of their ability from that first pen-to-paper / fingers-to-keyboard moment. No one.

Keep on writing, keep on reading, grow your craft, keep ticking off those levels, keep rising higher than you did before – use exposure. Don’t let it use you.

And just so everyone reading this knows: this blog post is based entirely on my experience, and no-one’s experience will be the same. Some people use writers groups and critiquing to gain exposure; others submit to non-paying venues for exposure. The kind of exposure you’re after, and what you, as a writer, seek to gain, is what’s important here.

So, don’t knock exposure. Use it to grow and learn.

Until next time,


My Favourite Books of 2016 – Part One

Hey everyone, hope you’re all well, and that 2017 has been good to you so far. 🙂

I’ve been busy editing novels and writing them, plus we had an internet-outage that lasted just over 6 weeks… I was, understandably, pissed off.

Anyway, that’s all done with, and I thought I’d kick off this year (in the second month of the year, no less…) with a post of books I read during last year (which aren’t many) and why I enjoyed them.

Let’s head a year back, to Weston Ochse‘s ‘Halfway House‘:


Now, first of all, Weston is a damned deserving winner of the Bram Stoker Award. He writes Horror that clings like the odour of a three-weeks unwashed body… I read Halfway House a little more than a year ago (and received it to review from Weston some time before that), and the novel is still fresh in my mind. It’s the kind of tale that works on many different levels, and for many different reasons; it’s a story of emptiness-filling, primarily, but it’s also a story that looks at the seedy underbelly of Hollywood, the lives of surfers and the homeless, grief and how differently everyone deals with it (or tries to), and much more that I hope you’ll discover on your own. Here’s a link to order the book.

Next up, Jon Sprunk‘s ‘Shadow’s Lure‘:


Shadow’s Son‘ was a damned good debut – Jon managed to not only keep the story tightly character-focused, but also managed to bring in interesting world-building, magic, politics and damned cool combat. So, I was a bit worried that the second book in the trilogy wouldn’t be able to build on the first – but it did, and kickassingly so. Caim is tested even further – not only physically, but psychologically, and we find out more about his world and the various cultures and factions wrestling for dominance. We also find out more about Caim’s companion (surely one of the most mysterious characters in the trilogy), and events push toward a satisfying and hard-hitting climax, which not only ties up some of the story lines and mysteries from book 1 and 2, but also preps the reader for what’s coming in book 3, ‘Shadow’s Master‘, which I still need to read. These books are truly cool, fast-paced and clever, and I can tell that Jon really enjoys playing with the expected tropes and putting his own spin on them. Highly recommended for anyone who loves Fantasy. For more info, and to order the books, follow this link.

Next up, Karen Miller‘s ‘Star Wars: Clone Wars Gambit: Stealth‘, the first book in the Gambit duology, and sadly, not Canon.

Clone Wars Gambit 1

The fact that Karen is a damned good writer and storyteller doesn’t have to be discussed or explained; her Empress trilogy really impressed me, and (as I’ve said to many people) The Falcon Throne is, in my honest opinion, better than what GRRM has given us with ASoIaF. And Karen has written more than one Star Wars novel (The Clone Wars: Wild Space, was her first) and I really enjoyed what she did with Obi-Wan and Bail Organa, but damn, in Stealth, Karen really opened up – I haven’t read any other Star Wars novel which so deeply explores and explains the characters of Obi-Wan and Anakin. Not only is the tale fast-paced, with great action scenes, thrills and intrigue, and true Star Wars-moments, but Karen managed to make it really clear why Obi-Wan and Anakin respected and trusted each other so much, as well as showing us the depth of their bond. When I finished the book (and I still have to read Siege), I was struck with an incredible sadness, because the betrayal’s of Revenge of the Sith hit harder than even George Lucas could achieve (and I’m a huge fan of GL). I kind of wanted to somehow travel to Obi-Wan and Anakin and beg them to disappear, to leave the war and everything else behind. 🙁 Damned good book, and right up there with Star by Star and Traitor. To order the book, follow this link.

Next up, Greg Rucka‘s ‘Alpha‘:


Greg first came to my attention with his runs on Batman and Detective Comics, which I enjoyed immensely – so I was really interested to read one of his novels, and I wasn’t disappointed. Alpha stars Jad Bell and follows his efforts to take on a group of damned dangerous terrorists who take over the US’s biggest theme park – not Disneyland, but a fictional stand-in, which serves just as well. Greg managed to balance a racing plot with political intrigue, hectic action and surprises, while putting his hero through his paces. Plenty of thought went into how a terrorist attack on a theme park would unfold, and it’s obvious, too, that Greg knows combat and weapons, too. Alpha is a quick read (these action thrillers usually are), and resolves the plot while opening up the main character, Jad, to a world of danger he’s just beginning to find out about. I have no idea when I’ll read the next book, Bravo, but it’s definitely on my list. Order the book at this link.

That’s it for part one. 🙂 In my next post I’ll be sharing my thoughts on work from Alex Marshall, John Burnham Schwartz, Justin Cronin and Christopher Golden. 🙂

Until then,


Pre-Release Excerpt: A Song of Conflict – A Mahaelian Chronicle Tale

Hey everyone, hope you’re all well. 🙂

Tomorrow is the official release day for my second Mahaelian novelette, A Song of Conflict. I decided to release it after Conviction’s Pain has the story in Conflict takes place at the same time as the events unfolding in Conviction’s Pain. And since a bunch of you might be finishing up the second novel this weekend or next week sometime, I thought I’d tempt you with something new – a bit shorter. 😉

Read below for a taste of A Song of Conflict. 🙂


This is where it happened,” Daergan said, pointing at the barren stretch of earth. “Do you see?”

Aedral, seven moon-cycles old and tall for his age, stepped forward and peered into the open space. The shadows of the Monument covered the ground in thick, jagged, slats that seemed to reach toward each other. As if the ancient, Wielded Elvayn trapped within those jagged, arching rocks were still straining to move, to break free. Aedral was about to say as much to his father, but decided to remain quiet. It was early morning, the sun’s glow having just crested the horizon, and all around them lay a heavy layer of silence; better to observe the solemnity he was expected to than to wonder aloud about the jagged pillars surrounding them.

Aedral ignored the biggest of the looming rock-pillars. He knew it was his imagination, but he was sure it was staring at him. Regarding him with thousands of years of anger and malice. It knew him, even if his father didn’t.

“Soon,” continued his father, “the First Disciples and the Holy One will be released, and this place will become the site upon which the true destiny of our people shall be built.” He gestured around at the monuments, whose shadows had begun to slowly turn with the sun’s movement. “These pillars will form the center of the Seed House, and it will be Wielded outwards until it covers even the ground that the City of Traitors held, so long ago.” Aedral noticed a fervent light in his father’s eyes, as if they were lit from within with the visions of future grandeur he was trying to share. “The Seed House will be the beacon that stands in the middle of the new city, waiting for us to return from our journey to rae’Fallo.”

Tuning out his father’s words –for he had heard them many times before- the young Elvayn sneaked a glance at the ruins of the first city his people had ever Wielded. Very little remained, since most of the surviving structures had either been razed or removed, but it seemed that the earth remembered that ancient battle.

In places the ground was barren and dusty –where Wielders had stood and drawn upon the energy at their feet until nothing but lifeless soil remained- and great depressions marched off into the distance, some small but many large enough to swallow five or six men, as if massive fists had struck out in unfocused anger. He tried to imagine what that day must have been like, wondered what had truly happened, and failed every time. According to the histories were taught, the succeeding battles to take the remaining cities had been brutal and vicious, too, but every story he had ever heard or read seemed to agree that this first battle of the Traitor-War had been the most brutal.

It was just too … large for his mind to comprehend. The destruction and death, the broken family-cells, the shortages of food and shelter. More and more he was beginning to agree with his mother.

Nothing warranted the doling out of such pain and misery. Nothing.

“And we shall return in glory and triumph,” his father continued. “In our lifetime will this occur, Aedral. Do you understand? You will witness the unveiling of our destiny.”

Aedral looked back just in time to meet his father’s gaze and he fought to maintain the connection, and the illusion that he was his father’s son in more ways than just biologically. He wanted nothing more than to run to his mother and take her far away from this place, to finally join the Circle and to take his place among the men and women who remembered the truth, not the manufactured and carefully maintained lies that had been fed to them over the generations.

“Come here,” Daergan beckoned, undoing the buttons of his black jacket before lowering himself to his knees beside one of the Monument-pillars. Aedral joined him, careful to maintain a ‘reverent’ air and to copy his father’s posture. When his father bent at the waist and lowered his head to the ground, Aedral followed suit, and their foreheads made contact with the earth at the same moment. Aedral expected a shock of contact, the Holy One reaching out with His thought-voice to acknowledge his presence and his genuflection, but once again nothing happened. Perhaps there was some truth to what was said – that the Holy One waited for each new Disciple to reach the correct age before the first Communion took place. He almost wished he had a headband such as his father wore, to somehow buffer the contact with the ground. This place made his skin crawl.

Aedral would rather that the Communion never occurred – he was sure that his thoughts would be laid bare; his motives and the motives of the Circle discovered in that instant. It was difficult to disbelieve the stories of Communion he had heard when almost everyone he came into contact with on a daily basis shared his father’s fervent loyalty, and his father wasn’t the only person who had said that they had heard the Holy One’s thought-voice.

Bent now as he was with his forehead touching the very ground upon which the Binding Chorus had been unleashed, Aedral was suddenly thankful that his ill-advised attempts had failed. He hadn’t told his mother what he’d done, and he hoped the others would keep quiet, too. The threat of Judgement would serve to keep their mouths shut, at least until the night of their Internment, but after that? Who could say? He hoped to be on his way to the Circle long before the ceremony began, because the fact that he had lied to them would be revealed – that he had told them that he had heard the Holy One’s thought-voice when he hadn’t.

Aedral didn’t want to be here with his father, not like this and not now. The Internment ceremony was days away, and as soon as they were done here he would return to his mother and try to convince her that they had to leave as soon as possible, that lingering was courting discovery and that … that he was afraid.

“You must remain prone during the Internment,” his father was saying, his voice muffled against the dirt. “From the moment the ceremony begins until the Holy One releases you, understand? To break contact is an act of terrible disrespect, an act that will taint our family’s honor for generations.”

Aedral almost voiced his frustration aloud at that moment, swallowing back the groan of frustration. He knew that his father wasn’t an evil man; Daergan had never shown anyone disrespect, had never been callous or unthinking, had always been gentle and respectful toward his wife. He wasn’t like some of the others, those who treated the Traitor-born with scorn, insulting them and even assaulting them on occasion. He followed the laws and had never once misused them. But it didn’t change the fact that he was on the wrong side, and that someday Aedral would have to face his father, stand firm as a member of the Circle, and possibly Sing against him.

Better that outcome, he remembered his mother telling him, than the complete destruction of the Circle. We must stand, Aedral. We cannot falter.

“I won’t bring dishonor upon us, Father,” he said, his voice also muffled by the ground inches from his lips. The soil was warm, its musty odor filling his head. The effects of Wielding left an indelible mark on the earth, something that no-one should have been able to dismiss. But it happened; the minds of the loyal focused so intently that such a simple thing as the difference between the scents of live earth and dead earth completely escaped them. Such an obvious thing. He was sad that he was lying to his father by saying those words, but it couldn’t be helped – his choice had just been made anew, and it seemed to him that the price he might one day have to pay to ensure that balance returned was something he could live with.

Aedral sensed the motion of his father rising and lifted his head from the dirt before rising to his feet, secretly happy that he wouldn’t have to genuflect like this again. He felt his father’s hand on his shoulder and turned to face him.

“I am proud of you, Aedral, and so is your mother.” He smiled. “You will become a great Disciple – you are already a worthy son.” He squeezed briefly, as close to showing affection as he ever came, and said, “Return to your mother. I promised her that I would not keep you long.”

Aedral nodded at his father, relief spreading through him in a wave, and when he turned away from the Monument he was walking slightly faster than what he intended. He felt his father’s eyes on him and refused to wonder what was going through the man’s mind.


Click here to order your copies from Amazon, and here from other online retailers. 🙂

Until tomorrow,


Battles and the Fantasy Author, or ‘How I Made Battles Work For Me’

The first time I tried to write a battle scene I really had no idea what I was doing.

That scene, unfinished and unfocused, was supposed to be a small bit of back-story for what would eventually become Betrayal’s Shadow, and followed a general and his troops on their last fruitless charge.

It was fuckin’ glorious. Useless, but glorious. Blaze of … erm, glory, and all that. Swords raised and “Charrrrgge!” and hooves thundering into the rising dust cloud and echoing screams… Glorious but useless.

Why? I had no idea about tactics. There was no reason for the battle. It wasn’t personal. And I was trying to open a story with a battle. In short, I’d seen a couple of cool battles on the big screen, and wanted to write what I had seen and make it Fantasy.  Gimme a lollipop. Please? I tried. 🙂

And that scene (hand-written, I might add) is still shoved in somewhere among all the other scenes and bits of stories I’ve written and not used. I realised, too, that I didn’t have a clue what I was doing. And so I embarked on The Quest to Learn How To Write Battles.

Helluva interesting and useful quest, let me tell you.

I read up on the Roman legions and how they fought, the different kinds of battles they fought, how their forces were divided up, which units were employed for quick, hard strikes and which units could take masses of punishment. I read books about ancient battles, the commanders on the field, the tactics they employed. I read up on castles (the different kinds) and forts and trench warfare. I played games like Rome: Total War (the first game). And I was trying to fit in everything I was learning to what I was writing.

Didn’t work. Doesn’t work that way.

Why? Because what I realised (and it should have been obvious, like punch-to-the-head obvious) was that I was writing Fantasy and that I was trying to write a battle, in a secondary world, between two factions which don’t exist (the one being non-human and having no use for armour or weapons), using real-world or historical methods of warfare.

What I came to realise is that my world and the battles taking place in my world have to make sense to my world, the characters inhabiting it, and their abilities and equipment. For example, I couldn’t have soldiers standing in a phalanx (no matter how much I wanted them to stand in a phalanx and how cool that imagery would be) because my soldiers and their enemies don’t use shields, for one. (why they don’t use shields ties into the world-building and the specific cultures). So, no phalanxes.

There were a couple of other things I wanted to use and never did – I did use siege warfare (in Betrayal’s Shadow, for a specific plot-important purpose) and I haven’t yet written a full-scale battle (because I’m keeping that back for the third book), but there have been a couple of fights and skirmishes throughout the first two books. And in those battles / skirmishes, I wrote them to suit what was happening in the world.

For example, undead hordes charge knights, and the knights are used to melee combat, so a quite a few die or are bitten before they figure out that it would be inadvisable to try hand-to-hand or melee combat against the things – and then they learn to use crossbows and fire.

Or knights up against creatures twice their size, ferocious and blazingly fast – no hand-to-hand there, either, and even stepping up to meet such a creature with a sword will practically guarantee  a brutal, painful death.

What I’m getting at is that the storyteller needs to remember to tailor the battles to the story, and not tailor the story to a battle you really want to write.

The next lesson came easily enough: make it personal. I wasn’t playing Rome: Total War – I wasn’t directing soldiers on a screen. I was writing a battle scene, with characters I knew and had created, to tell a story. Writing a battle scene from the Rome: Total War viewpoint might be good to showcase tactics, but it’s useless for characters.

So I went into the battle and tried to remember that the guy trying to survive has no idea what’s happening around him; he just knows that he’s fighting, that he doesn’t want to die, and that if he stops to think about what’s happening to his friends, he’ll die.

It’s personal, and earn-numbingly loud, and dirty, and terrifying. At least, it was for my characters. It had to be. Because if it wasn’t, I realised, what was the use? Why have battles? Well, I’ve yet to encounter High, Heroic or Epic Fantasy which doesn’t have battles, but the point is that a battle has to matter, it has to have significance, and it has to have costs.

Now, I don’t pretend to know anything about writing battles. I won’t even pretend that the battles I’ve written are particularly good, or cool, or whatever, so don’t read this post as advice. You’ll learn what battles mean to your story in your own way, in your own time. You’ll learn how to suit battles to the story you are telling, and you’ll learn why those specific battles are necessary to your story. Allow yourself to be open to that process, to let it happen, and not to force it.

Enjoy writing your battles, and remember to keep them personal for your characters, and the folks who enjoy your tales will enjoy your battles. 🙂

And Be EPIC!



Release Day! Conviction’s Pain – Book Two of The Mahaelian Chronicle

Hey everyone. 🙂 The day has arrived, and my second novel (which is two more than I once thought I’d ever be able to write) is available across Amazon. 🙂

Avidar and its people are reeling in the aftermath of a deadly attack.

Alun Dronald, now Lord General of Avidar’s armies, must contend with a murder investigation, political games, and growing religious fervour, while Del’Ahrid, seemingly the most powerful man in the kingdom, plans his next move.

Elsewhere, Brice Serholm serves an enigmatic, powerful being with direct ties to the growing conflict and its ancient roots, while Khyber, the only free Elvayn, makes a discovery which could put an end to millennia of war and strife.

The Mahaelian Chronicle continues.

And the true enemy will finally be revealed…

Click here to order your copies. 🙂

If you’re one of those readers who hasn’t yet read my work, here’s the low-down:

A Song of Sacrifice is a prequel and takes place approximately three thousand years before the first novel, Betrayal’s Shadow; it’s a quick read, just over half an hour, and can be read either before BS or after it. 🙂 Click here to order your copies.

The beginning of a conflict which will change two worlds…

When Ordaefus, Song Priest of the Elvayn, discovers that his people are capable of a new, incredible ability, his brother, Mahaelal, believes that this new way is wrong – an affront to the very foundations upon which the Elvayn built their civilization.

And when war breaks out, both brothers must make a choice – do they fight to protect what they believe in, or surrender, and exchange freedom for restriction?

What choice do they have left, when all choices lead to destruction and death?

Betrayal’s Shadow is the first book of The Mahaelian Chronicle – where it all began. 🙂 Click here to order your copies – also available in hardcover and paperback.

My first novel, and the first in a trilogy.

Betrayal casts long shadows – none know this better than Brice Serholm.

As a decorated general in the kingdom’s elite Blade Knights, Brice had to overcome the taint of treason and betrayal to attain his rank. When Brice and a force of Knights are sent on a mission to investigate claims of rebellion in one of Avidar’s provinces, their ship is magically attacked, and the resulting investigation tests every oath Brice swore before his king.

Meanwhile, an inhuman infant escapes the capital’s Slave-Hold, the king’s mistress comes into possession of a unique dagger, and Del’Ahrid, the king’s most trusted First Advisor, begins to question everything he built his honour and life upon.

Events are in motion that will test every man, woman and child – and a conflict is coming that will shake the kingdom to its very foundations.

So begins the Mahaelian Chronicle.

A Song of Conflict is the second Mahaelian Chronicle Tale, and takes place concurrently with Conviction’s Pain – so spoilers abound for those who haven’t read Betrayal’s Shadow or Conviction’s Pain! Click here to order your copies.

Three thousand years have passed since the Seeds fled the Elvayn homeworld.

Elvayn society is strictly controlled by Mahaelal’s Disciples, and any dissent is punished with Judgement and death. But there is hope, in the form of a secret society called The Circle, and in the choices of Aedral, the son of a Disciple.

Ancient secrets will be revealed, and far-reaching choices must be made, even as two worlds teeter on the edge of total chaos.

And the Mahaelian Chronicle continues…

There we go, folks; everything you need to know. 🙂 If you do decide to give this South African writer a chance, I can only hope that you enjoy what you read. 🙂

Happy Book Birthday to me! 😀


Conviction’s Pain – Pre-Publication Excerpt: Chapter One

Hey everyone. 🙂 Book Two, Conviction’s Pain, will be released tomorrow, and believe me, I’m struggling to think about anything else. I’m nervous as hell!


So, I thought I’d treat you all to the first chapter of the second book of The Mahaelian Chronicle – you do need to beware of spoilers if you haven’t yet read Betrayal’s Shadow, though!

Conviction’s Pain begins moments after Betrayal’s Shadow ends, so we’re right back with everyone who was in that room in the palace… 😉

Hope you enjoy the excerpt!


Seiria cradled Jarlath’s head in her lap. The light had left his eyes and his lips were slightly parted, his forehead beaded with sweat. She had heard his last exhalation, knew that he was dead, but it seemed to her that he could wake at any moment, as if he was just stuck in some powerful recollection and would snap out of it. But her heart was screaming the lie, pounding in her chest so loudly that she didn’t hear the sobs and whimpers that tumbled from her throat.

Shapes moved around her, shadows darkening her vision. Somewhere inside herself she knew the shapes, knew who they were –killed him, he killed him– but she couldn’t rouse herself, couldn’t spare a thought for the danger that she was in. Even the room and the destruction that had been wrought in it had a dim quality, an unreality, that her mind couldn’t process. Not when she cradled the head of the man she loved in her lap.

But then a shaped loomed over her, a shape which only resolved once Seiria lifted her head and blinked away the tears that caused her vision to tremble. His face was flushed with anger, with exertion, his white hair untidy, his eyes bloodshot with anger, crazed.

Del’Ahrid. The mental utterance of his name brought her fully into the moment, shattering the fog of anguish and disbelief that had enveloped her.

What was he talking about?” He flung the question at her, spittle spraying her face so that she had to blink. “Tell me!”

He bent over her, his shadow draping her, blotting out the light of the remaining torches. Beyond him, the damage suddenly didn’t look so bad. She fought a sudden hysterical laugh and realized that she might be losing her mind. She heard and felt the slap this time, the anger behind it sending her sprawling so that Jarlath’s head slipped from her lap and made dull contact with the floor.

In that instant, Seiria slipped over the edge, falling into whatever darkness had begun to rise within her the moment Del’Ahrid had lunged the dagger into Jarlath’s chest. She began pushing herself upright the moment after her palms slapped the floor, launching herself back towards the hateful bastard before he had a chance to react.

Her mouth opened, voicing a scream that hurt her throat even as she lashed out, slamming both fists into the side of his knee. The joint bent in the opposite direction and Del’Ahrid cried out as he began to topple sideways, putting even more strain on the damaged joint. Something snapped with a brittle crunch and his cry became a high scream of pain that rang in Seiria’s ears. But it also pulled her forward and she began raining blows on him while he was still collapsing, striking wherever she could in her grief-fuelled rage; the back of his head and neck, his shoulders and arms, over and over, punctuating each blow with something between a grunt and a scream. The room contracted around them, as if this lashing torrent of pain was somehow pulling everything inward. Even sound fled, the entirety of her existence focused on pounding the old murderer into the ground.

Gradually her blows became weaker, her arms rising and falling erratically, and pain now throbbed in her fists. Her voice was raw and ragged, her eyes burning with tears, and her whole body thrummed. She heard the clatter of something striking the floor only vaguely, as if from a great distance, and moments passed before she realized what had happened.

Del’Ahrid’s grip around the hilt of the dagger had loosened, and it had slipped from his grasp.

Seiria lunged forward, over his moaning form, eyes rapidly blinking the tears away even as she scanned the floor. There! She reached, straining for the glint of light, heard someone say, “No! Stop!”. Her fingers snatched and curled around the hilt as she sprawled atop the First Advisor, and she brought the dagger arcing down and sideways, slamming it into Del’Ahrid’s side.


Del’Ahrid fell sideways, his face a grimace of pain and surprise, and Khyber’s eyes caught the flash of light along the dagger’s blade, as if it had winked at him, like the sun briefly blazing through roiling storm clouds.

Riveted to the spot by his failure, the Elvayn could only track the dagger’s movements as the old human thrashed around on the floor. Such a small thing, he thought distantly, to herald destruction and death. The Guardians had invested it with the power to transform its wielder into the saviour this world had needed – and now it was a murder weapon, a tool that had destroyed hope.

A part of him wanted to flee, to run as the other human, Bryce, had. Surely that was the only answer – find a place to wait for the end? But where would he go? To the Slave Hold, to try and find a mother and father who wouldn’t recognize him? To Amalia? Perhaps they would be able to survive and hide on the plains near the Standing Stones. But a larger part of Khyber knew that running wouldn’t accomplish anything – it would give him more time to think about the fact that he hadn’t been quick enough to save the King.

A flurry of movement pulled his attention back to Del’Ahrid.

Seiria was hitting him, over and over again, her face red with rage and grief, her arms pale flashes as they rose and fell, rose and fell. Khyber didn’t wish the man dead –there wouldn’t be any difference if he died now or later- but something about seeing an old human being beaten like this was wrong. The man couldn’t even defend himself-

Khyber’s eyes snapped back to the dagger at the moment it slipped from Del’Ahrid’s grasp, its blade once again storm-dark. He felt suddenly as if he was standing at the edge of some very high place, as if the great yawning gulf was pulling at him, a sensation like falling, like the world reeling off balance-

Seiria stretched over the First Advisor, reaching for the dagger. Khyber shouted, “No! Stop!” but she either didn’t hear him or ignored him. Her fingers closed around the hilt as he took a panicked step forward – her arm rose slightly, extending, as he took a breath to Sing at her – and the blade swept into Del’Ahrid before he could release the Song.

A pulse of energy rippled outward from the dagger, blasting stark shadows against the walls and ceiling, and then the ripple reversed direction, swept back into the dagger, sucking the shadows down with it.

Del’Ahrid voiced a gasp, his whole body jerking on the floor, and Khyber realized what he had just witnessed.

They had to leave. Now.

He sprang forward and grabbed Seiria –she was blinking in confusion, probably wondering what had just happened- and was Singing as he pulled her to her feet. She didn’t struggle against him, even though she still clutched the dagger in a white-knuckled grip, and he turned with her in his arms, felt the light enveloping him.

The world went white around them.


Alun Dronald hadn’t made it ten feet into the palace before he’d realized what a fool he’d been.

Running down the eerily empty corridors, he wondered if Brice would have made the same mistakes if he’d been in command of the city’s forces. After witnessing the destruction of the mystery army that had attacked Shorwin’s Hold, Alun hadn’t even considered that Jarlath would need protection. And in the heart of what amounted to his stronghold? Perhaps he would have made the same choice and shifted every available soldier to the defence of the palace.

But ordering the entire force to rush into the palace to check on the King? Pure lunacy. He could blame it on panic, he supposed, and on the chaos and bone-deep relief that always followed the end of a battle, but the truth was that he was angry at the way Cobinian had manipulated him. The old man whom he had first met at the Dhurbaine dockyard, seemingly harmless and always smiling, had deftly held the focus of Cambeith’ar’s entire defensive force. While in the palace, some other aspect of his plan was probably even now being carried out.

Or was it? Had Cobinian planted that panic in Alun to ensure his escape? And he had escaped – Alun felt the frustration of the men he had sent after the old man through the terrifying bond they shared. It seemed that the man had disappeared; his scent had just stopped in the middle of a broad, debris- and corpse-strewn avenue.

Alun passed the shattered pieces of a vase, the soles of his boots crunching momentarily on the shards as he sprinted past. Something happened here. There was a strange scent in the air, something with hints of moist soil and the tang of rain, and something else, a familiar flavour…

Later. Get to the King. He had to focus, not let other concerns distract him. Squads of Knights were now securing the districts surrounding the palace, destroying any Reavers they came across and helping survivors where they could. Once he knew what was happening with the King, if anything, he could take the time he needed to gather his thoughts and put together a plan to make sure that the rest of the capital was secure.

The first hint of what awaited him hit his senses as he rounded a corner and came in sight of the doors of the King’s private chambers. They stood ajar, the gap filled with a fitful yellow light, and the air was redolent with scents of burnt wood, singed leather and smouldering cloth.

And blood. Alun swore loudly as he neared the doors, the coppery, wet scent filling his head. Panic clutched at him.

He slowed, skidded to a halt and flung the right-hand door open before stepping across the threshold and into the room. The sight struck him like a physical blow. Two bodies lay in scarlet pools that were soaking into the shattered remnants of chairs and books. Curling trails of smoke rose from smouldering wreckage he couldn’t identify. But the bodies-

One of them groaned, the groan of someone waking to pain and confusion, and Alun hurried towards the man. “Don’t move,” he said, “just lie still, I’ll get a Healer to you!” Alun crouched beside the injured man, registering the untidy white hair, the robes, hesitating, wishing suddenly that he’d received some field-medic training.

Where-” began the old man, and then he coughed again, took a breath as he shifted slightly, sending a brief ripple across the surface of the blood-pool at his side. “Where are they?” His voice was breathless and soft with pain but Alun recognized it immediately.


Which meant that the other man had to be the King. Alun lurched over to the prone form, clutching at an extended leg and shaking it, heedless of protocol. “Sire? Sire!”

Leave him,” he heard the First Advisor say, his voice stronger now. “The King is dead.”

There was a finality in Del’Ahrid’s voice, as hard and unflinching as stone. It froze Alun. Dead? How can he be dead? He tried to say something but it was as if the lingering heat from the smouldering wreckage had evaporated the words from his lips.

He felt a tug on his arm, turned his head slowly to look at the First Advisor.

I said get me that Healer, are you deaf?”

What happened here?” Alun managed finally. “How…?”

The old man grimaced. “That bitch Seiria, that’s how. A concealed dagger. I tried to protect him, but…” He shook his head. “It’s done.”

But Alun couldn’t agree. First the battle at Shorwin’s Hold, then the horror of what had happened at the dockyard, the battle for the capital, and now this. After almost five centuries of relative peace, something dark and deadly was happening in Avidar.

It wasn’t done, he knew. It was beginning.


Khyber released the Song and the blazing light that had surrounded them dimmed and bled away. The human woman, Seiria, had just enough time to clutch at him in terror before Khyber fell silent; its power had snatched them out of Jarlath’s private chamber, transporting them to the only place Khyber knew he was safe.

Seiria reeled away from him, stumbling across patches of pale grass and dry dirt, and then stopped short, gazing upwards at the tall Standing Stone before her. She released a small, frightened “Oh!” and the dagger dropped from her hand –

But it didn’t hit the ground.

It spun slowly downward, tumbling end over end, sunlight sparking and lancing off the blade, and slowed before finally stopping about a forearm’s length from the ground. A ripple of something pulsed through Khyber, stealing his breath, and he took an involuntary step back.

What-” Seiria had time to say, and then she was hurled backward into him as a sphere of radiant energy erupted into being. Knocked sprawling, Khyber shielded his eyes against the silent, heatless onslaught. He called out to Seiria but he couldn’t hear his voice, felt only the pressure of the sound in his throat. The Guardians had said that they wouldn’t be able to return, that all their power had been used up – so what was this?

He blinked past his fingers, squinting into the sphere of energy and finally noted the speck at its centre. The dagger.

Even as he began to understand what might have happened, five voices spoke in unison, the sound of their combined vocalization trembling through him, powerful yet forceless.

So is the circle closed. What was Sung is now Wielded – what was made is now un-made.


Brice Serholm turned and faced the gateway which he had just walked through. It was dissipating, tendrils like curling smoke radiating from its borders, and he wanted nothing more than to step through it again and hurl all the power at his command against the traitorous First Advisor. Killing the man, though, would be too quick an end. Too easy and too merciful.

If what Brice had been told was correct –and he had no reason to believe otherwise, not after everything else that he had been shown- then Del’Ahrid wouldn’t have long to rule, in any case. The man would soon find himself beset on all sides, unable to stem the coming tide of destruction and war because he had murdered Jarlath. Let that be his final lesson.

Yet it was such a steep price. And everyone else had to pay it, too.

The gateway bled away, the power which had animated it –and which had originated with him- dispersing into the area surrounding Brice. He watched the grass become more vibrantly green, the flowers opening their petal-heads, heard the trees elicit soft, woody groans. Once he might have thought he was imagining it all, but in this place nothing was hidden. All the underlying magic and majesty of existence was there to be witnessed, not hidden or driven out of existence as it had been in Brice’s birth-world. Everything was closer to the surface, here. Even the air had a quality to it he couldn’t remember experiencing anywhere in Avidar.

His brief sojourn back to the palace had left him feeling dirty, as if he had brushed up against something unclean or diseased. Being able to return to this place revitalized him, yet the weight of what he had to report to Way Maker and the Sacred One -another name the tribe used for He Who Hunts the Darkness- did not lessen. Brice closed his eyes briefly, taking a deep breath, and then turned again to seek the path to the Garden.

The first time he had walked through this place, when he had been led by the tribe and a still-wary Way Maker, he had been stunned into silence by it all.

The trees towered overhead, not crowding around but spaced comfortably, their trunks wide and unscarred, the shadows under their verdant canopies cool and subtly laced with un-nameable yet pleasing fragrances. The earth was soft underfoot and a rich, loamy brown where the lush grass opened in revealing patches. He hadn’t wanted to step on anything, so different and life-full was this place, but as they walked he saw the grass spring back after a foot had lifted, saw the foot-shaped depressions in the soil slowly fill out again. When the group passed a tree Brice had reached out and run the fingertips of his right hand across the bark; it was warm, felt like rough skin, and something passed between him and the tree, a communication of acknowledgement, as if the tree had nodded at him. He had to stop or collapse, so weak did his knees become in that moment. He felt a hand gently slip under his elbow to support him, and when Brice looked and saw who it was, he whispered, “What is this place?”

Mar regarded him with a soft smile, his features now fully restored. His skin had regained its colour and was no longer shrunken against his skull; in fact, Brice couldn’t remember that he had ever seen Mar looking so healthy. “This place?” He shrugged. “It is many things, Brice. The collective dream of every being; a fond memory; perhaps even a state of existence to strive towards. It doesn’t actually matter. Come, once you are brought before the Sacred One you’ll understand better.”

And he had, though a part of him knew that trying to fully understand this realm would be a fool’s errand. He was beginning to believe that fully understanding anything destroyed its beauty and mystery; accepting and experiencing was enough.

Yet now, with what had happened in the palace in Cambeith’ar…

An ending approaches. Perhaps the end of everything, perhaps not. He had to believe that there was hope, even with Jarlath dead.

Long fingers of grass whispered against his bare calves and a gentle, playful wind danced through his unbound hair. His feet carried him onwards with practically no conscious thought on his part, allowing his thoughts to drift unfocused. He would reach the Garden no matter what direction he moved in. The Garden stood at the centre of this realm, its source and heart, a lodestone to all who made –or found- their way here.

Brice wished he knew more about the young Elvayn he had met in the palace. Once he would have been terrified to see it loose and un-Muted, but after his conversation with the Sacred One, Brice knew that he had nothing to fear. Just what role the Elvayn would play in forthcoming events wasn’t certain, but it would be an important role. He couldn’t name it, but there was something tremendous in that Elvayn. I hope you live long enough to reveal it to us. With Del’Ahrid now in power there was no telling what he would command with regards the Elvayn who were still enslaved.

Suddenly the world shifted around him. There was no other word for it – as if every tree and shrub and blade of grass had moved suddenly and simultaneously in every direction and then back into place. Brice sat down heavily, raising a hand to his head, dizzy. He felt a moment of intense fear, verging on terror, before he realized that he still lived. Nothing had ended, not the world nor his life.

But something momentous has changed.

Brice got to his feet, wary of another ‘shift’, and began to hurry towards the Garden.


Cobinian gave the High Cleric a measured, respectful nod and closed the door in her face. Not hard or loudly, just firmly. He dropped the latch into place, locking himself inside. So that she knew he wanted to be alone in this moment. This very personal moment. He turned and surveyed the room, marvelling at the stark appointments and lack of ostentation.

One carpet –an old one, fraying at the corners- and two chairs hardly made this room a chamber. The walls were undecorated, the small windows along one side dusty, their corners cobwebbed. Remove the Book and it would probably serve better use as a store room. No, this wouldn’t do, not at all. Not for the grand chamber that he had in mind. Not as a seat of power for the rulers of this world.

He turned a slow circle, overlaying the images that swirled in his mind with what he was seeing. The walls would need to be knocked down, the room’s size increased, perhaps to the point that it was the only room. He also saw columns marching outwards from the centre, radiating almost like the spokes of a wagon’s wheel – a double-line of columns paralleling paths that only the devout, only the holy, would be allowed to use. And at the centre, where the Book now stood on its stand… The throne, of course. It would be a thing of majesty beyond anyone’s knowledge or memory – perhaps it would slowly turn, powered by strong men in a chamber below the throne room.

Yes, it was coming together now. Not only the plans that he had set in motion and nudged along with each passing century, but also his vision of the future.

He turned back to face the Book of Mahaelal, as these devout humans called it, and allowed himself a chuckle. He remembered the day that he had presented a group of humans with the Book – remembered how they had cowered before him, unwilling to even raise their eyes or open their mouths without his leave.

The people of that ancient time had led much simpler lives – they lived in small communities, routinely fought amongst themselves for larger grazing areas, more water and even more women. It had been disappointingly easy to gain control of them, but once it was done it had been an easy thing to make them believe that they had caught the attention of a god. They believed him to be the god. He shook his head, the smile slowly withering on his face.

He was the one who had done everything, wasn’t he? He had created the Reavers, had very nearly managed to take full control of the Seed, and even though he could have returned home he had elected to remain here, to further the plans that would one day guarantee his father’s triumphant return. He had sacrificed so much, had faced century after century alone.

Cobinian clenched his hands into fists, trying to master the anger that was threatening to overcome him. The irony of it all was not lost to him. His choices had left him with no-one to turn to. His eyes narrowed on the Book. His choices… or his father’s choices?

He banished the thought with a snarl of anger. No, he was at the cusp, there was no reason to throw it all away now. He was doing this for his people, to answer the ancient betrayal of Ordaefus and his followers. He was doing this for –

His hands slowly opened as the anger left him, draining away like water into desert sands. I’m doing this for my father.

A father he had never known. A father he had very rarely seen, even spoken to. But that will change. Cobinian stepped forward, raising his hands. When he returns, everything will change.

He set his hands on the Book, closed his eyes. There would be no instantaneous shock of contact, he knew – the connection was of pure intentional energy, a bridge of consciousness that had been created and strengthened through the millennia. Yet even the speed at which intentional energy travelled was limited. Gradually, the silence took on form and substance – sound as solid as only darkness underground could be. The silence began to buzz in his mind, as if it was a vibration heard and not felt, and finally he began to sense the dangerously patient presence of the greatest leader the Elvayn had ever known.


Silence, yet the darkness seemed to flex around him, as if tremendous lungs were filling with breath.

Tell me, came the reply. A solid voice, like stone, as unyielding and emotionless. Cobinian could only imagine how his father must have changed, trapped in that darkness for thousands of years. The effort of will it must have taken…

The king is dead. The Sworn gather their forces on the western coast.

The child?

Cobinian fought to keep the grimace from his face. It wasn’t his place to question his father, he knew, but he couldn’t help thinking that knowing the child’s role in everything would help him to do his work better. Escaped, Father. With the king’s-

She is of no consequence, came the brusque reply, like a hand waved in irritation. Does the child have the dagger?

The king’s mistress was probably in possession of the dagger, but Cobinian saw no reason to try and explain that the dagger was, in fact, where the Elvayn child was. And besides, he wasn’t a child anymore.

Yes, Father.

Good. A long, drawn out wave of energy thrummed out of the Book and into Cobinian’s fingers.


Father, please, I­-

The world went white, all sound fled.

Darkness smothered him.

When he woke moments later, he found that he was lying against a wall, his legs stretched out before him. His head and back throbbed with pain. His mind caught up and he lurched to his feet, staggering across the floor of the room toward the blur of colour against the far wall. No, please

The blur resolved, the details stabbing like blades into Cobinian’s mind.

The Book was intact.

He reached out, touched a corner, felt the answering echo of power. But it was weaker, somehow more distant.

His first instinct was to make contact with his father again, to reach for and grasp the only presence that could soothe him. But he steeled himself, told himself he had achieved so much without needing his father’s guiding voice. Shaking the last of the ringing from his head, he broke contact with the Book, turned and stepped away, grimacing at the pounding in his head. Something that had been linked to the Book, to his father, had been removed. Either the link had been severed or –

Understanding dawned and he swore like a human. The dagger. “It’s been destroyed.”

How had the little runt managed it? Had he even known what he was doing? What he had done?

Never mind that now!” Cobinian half-staggered, half-spun away from the Book, concentrating on the door at the opposite end of the room. Not a chamber. Not yet.

It was only as he reached it that he heard the pounding of fists against it, and then the strident commands of the High Cleric, shouting through the door.

What happened in there? Open the door right now! I don’t care who you are-”

Cobinian popped up the latch and yanked the door open, pushing past the red-faced and suddenly silent human as if she wasn’t even standing there.

He was halfway down the corridor when she finally found her voice again. “Where are you going? What do you want us to do?”

Stopping before the door, he turned and growled, “Pray,” before striding away.



Keep an eye on this website, my FB page, my twitter feed and my publisher’s website for everything happening tomorrow. 🙂 I’m looking forward to getting this novel out there!

Until tomorrow,


P.S. You met those beasts on the cover in the first novel – tomorrow you’ll begin to find out much more about them… 😉

A Song of Conflict: Pre-Order Link and Goodreads

Hey everyone, hope you’re all well. 🙂

A Song of Conflict

Just wanted to let you know that the second Mahaelian Chronicle Tale is up for pre-order across Amazon – A Song of Conflict will be released on the 14th of December, one week after the sequel to Betrayal’s Shadow – look out for an announcement regarding that, soon. 🙂

I’ve chosen to release it after Conviction’s Pain because the events in Conflict take place concurrently with Conviction’s Pain – albeit on a different world. 😉

You can pre-order Conflict across Amazon, but here’s the US link and here’s the UK link. I’ve also added Conflict to Goodreads, so you can add it to your shelves. 🙂

Want a hint of what Conflict is about? Check out the blurb below:

Three thousand years have passed since the Seeds fled the Elvayn homeworld.

Elvayn society is strictly controlled by Mahaelal’s Disciples, and any dissent is punished with Judgement and death. But there is hope, in the form of a secret society called The Circle, and in the choices of Aedral, the son of a Disciple.

Ancient secrets will be revealed, and far-reaching choices must be made, even as two worlds teeter on the edge of total chaos.

And the Mahaelian Chronicle continues…

Until next time,


A Song of Sacrifice – Kindle Countdown Deal

Hey everyone, hope you’re all well. 🙂

Just wanted to let you all know that the prequel to Betrayal’s Shadow, A Song of Sacrifice, is on a Kindle Countdown Deal for the next two-and-a-bit days. 🙂

Song of Sac Master

Click here to order your copy. 🙂

Until next time,


Cover Reveal: Conviction’s Pain – Book Two of The Mahaelian Chronicle

Here it is, folks – the excellent cover for the second novel in my trilogy, created by Gary Compton. 🙂 Incredibly pleased with this! And trust me, you’ll find out who the creatures on the cover are… 😉

14682011_1151176941642772_7758916811123099747_oAnd here’s the back-cover blurb:


Avidar and its people are reeling in the aftermath of a deadly attack.

Alun Dronald, now Lord General of Avidar’s armies, must contend with a murder investigation, political games, and growing religious fervour, while Del’Ahrid, seemingly the most powerful man in the kingdom, plans his next move.

Elsewhere, Brice Serholm serves an enigmatic, powerful being with direct ties to the growing conflict and its ancient roots, while Khyber, the only free Elvayn, makes a discovery which could put an end to millennia of war and strife.

The Mahaelian Chronicle continues.

And the true enemy will finally be revealed…


I’ll keep you up to date with pre-order info and the like. 🙂

Until next time,