Hey everyone, 🙂 I’m back with my second ‘Favourites of 2016’ post, and in this post I’ll be telling you about books from Alex Marshall, John Burnham Schwartz, Justin Cronin, Christopher Golden and Suzanne Van Rooyen.
A Crown for Cold Silver by Alex Marshall
This novel, which kicks off what promises to be a rollicking, ass-kicking trilogy, follows a mayor’s wife on her quest for revenge – obviously, she’s much more than initially revealed. 🙂 The novel is by turns incredibly funny, brutal, thoughtful and inventive, with excellent world building and stand-out characters; multiple points of view allow the reader to gain a wide-screen (if I can use that description, which I’ve just done…) understanding of the various conflicts and story lines, while also giving us the gritty, ugly, beautiful detail we Fantasy readers crave. There’s plenty of inventive and interesting magic, battles and skirmishes (skillfully written, brutal and entertaining), and intrigue a-plenty. One also gets the sense that the world Alex has created is absolutely filled with stories we only glimpse, which also serves to make the world live and flex and breathe more deeply. Undeniably, though, the characters of this novel are the stars – Villains without being the quintessential bad guys. 🙂 Highly recommended!
I’m not a fan of literary novels – a term, I have to add, which just doesn’t make sense to me, and smacks of incredible elitism. That being said, when I read something which falls into that bullshit category (which doesn’t happen often), the novel has to be accessible, and by that, I mean that I don’t want to feel as if I should be sipping a too-expensive wine while sitting in a too-expensive chair in my ‘den’. Reservation Road is a novel anyone can read. You don’t have to be part of some inaccessible circle of award-chasers to appreciate this novel. And yes, I watched the movie, years ago, but this novel… I completely forgot about the movie while reading it, and the movie was good. The novel is heart-breakingly sublime. Absolutely unflinching, incredibly emotional. It hits hard, folks – as it should. And I don’t have kids; folks who do have kids and read this might not be able to finish it, but I urge you to stick with it. Order your copies here.
Next up, Justin Cronin‘s ‘The City of Mirrors‘:
The Passage absolutely rocked me back on my heels. It is, to date, the only novel that had made me cry like a baby within the first 30 or so pages, due to Justin’s absolutely incredible prose and ability to evoke emotions. The Twelve continued the epic (and this trilogy truly is epic), ending with an incredible climax, and The City of Mirrors ends it all beautifully. What sets this trilogy apart from most post-apocalyptic Horror sagas is the sheer beauty and strength of the emotional journey the reader embarks on – as with Robert Kirkman’s The Walking Dead graphic novels, the focus is on the characters; their dreams, their heart aches, their losses and triumphs and decisions, and how who they are and what they do echo down through the years and decades. Yes, Justin has created a world which fell to a terrible, brutal plague, but this world is as filled with beauty and love as it is with terror and grief. And I’ve never truly, deeply sympathised with the ‘bad guy’, but here, I had no choice. Stephen King said that the trilogy “will stand as one of the great achievements in American fantasy fiction.”, and I completely agree. It’s a lyrical, intense, intelligent, brutal and beautiful exploration of relationships, terror, the collapse of society and the stubbornness of true survival. Massively recommended!
Next up, Ararat by Christopher Golden:
I’m a big Horror fan, and I’m also a big fan of novels that tread different genres. I enjoy it when writers are ambitious and take chances, and where they create expectations and proceed to fulfill those expectations in ways the reader (who is also a writer, in this case) could never predict. Ararat is one of those novels. On the face of it, the novel is a story about one of the biggest finds in Biblical and proper, scientific Archeology, to what lengths the characters go to cement their place in history, and what, inevitably, goes wrong. And I don’t mean ‘inevitable’ as one of those ‘people are digging where they shouldn’t and get into shit because of it’ tropes; I mean ‘inevitable’ in the sense that things go wrong, whether between people (relationship-wise), colleagues (who disagree and have varying levels of education and study), or representatives of governments (and the complications involved when these get-togethers are further hampered by religious constraints). Yes, there’s a helluva lot that does go wrong in this novel (and, in effect, goes exactly right), but Christopher doesn’t push for disaster simply to pile up the odds against the characters – there’s reason and sense behind what happens, and varying degrees and levels of disaster, too – emotional, professional, physical, etc. Cause and effect, for sure, but injected with a healthy dose of how the myriad characters would truly react (Humans make dumb decisions for very good reasons, and the opposite also holds true). Christopher also really enjoys tropes, man – in the ‘know the rules and break them’ sense, because what I expected and predicted didn’t happen, but what does is so much better. There’s plenty of menace in this book, coupled with a slowly-creeping sense of ‘oh, shit-shit-shit’, and I’m pretty sure readers will enjoy the hell out of it. Expect to be surprised, expect to feel the cold and experience the claustrophobia and terror, and expect this book to sit in your head for a good long while. Excellent stuff! Pre-order your copies here.
Next up, ‘I Heart Robot‘ by Suzanne Van Rooyen:
I don’t think I ever read a novel quite like this before. I was expecting the quintessential and stereotypical forbidden romance, and instead, what I read was one of the best explorations of humanity (in it’s various forms) I’ve ever encountered. If you want a love story, it’s here – and it’s sweet and dangerous, fraught with mistakes and realizations, constantly tested and evolving… In other words, real. If you want an epic confrontation between humanity and what humanity creates, it’s here – but it’s not Michael Bay-here; it’s Children of Men-here. It’s subtle and powerful and far-reaching, the kind of unfolding clash which really makes you think about what it means to be human, to have feelings and an identity, to seek connection. Suzanne explores the politics behind this clash, the philosophies driving the players, the varying effects of the technology… There’s so much going on in this novel, so much that it deals with, that you’ll probably be re-reading it or, better yet, discussing it in your group after everyone’s read it. And what also helps is Suzanne’s understated, almost invisible prose – damned well written. I’m extremely jealous. Read it.
That’s it for now – next week I’ll have some more of my favourites for you. 🙂 Until then,